Saturday, February 25, 2017

How to buy fine art photographs in Atlanta





ATLANTA, the city magazine of, well, of course, Atlanta, has this advice for where to go and how to buy fine art photography in the South's major city, and the home of the Atlanta Celebrates Photography festival. 

Photography Galleries in Atlanta recommended by the folks at ATLANTA include the following:

Jackson Fine Art, at  3115 East Shadowlawn Avenue.

Lumière, at 425 Peachtree Hills Avenue

Arnika Dawkins Gallery, at 4600 Cascade Road

and 

Atlanta Photography Group, at 75 Bennett Street 

Galleries in Atlanta that display art in various media, including photography, include the following: 

Whitespace,  at  814 Edgewood Avenue

 
Kai Lin Art,  at 999 Brady Avenue

Mason Fine Art, at 415 Plasters Avenue

Alan Avery Art Company, at 656 Miami Circle

Hathaway,  at 887 Howell Mill Road, 470-428-2061

Besharat Gallery and Besharat Contemporary, at  163–175 Peters Street

and 

Marcia Wood Gallery, at 037 Monroe Drive
All fine places, well worth your visit when you are in Atlanta. 

Wednesday, February 22, 2017

From the Wisdom for Photographers from Unexpected Sources Department . . . . .


Wisdom for Photographers from Unexpected Sources --

"You miss 100% of the shots you don't take."

                                                    -- Wayne Gretsky 

Works for ice hockey, and for photography, too.  

Thanks, Wayne!

Sunday, February 19, 2017

Betty Press is having a wonderful 2017, and its only February



Hattiesburg, MS-based photographer Betty Press (see image above) has had work in shows all over the place in the past few months, while winning prizes and earning well-deserved recognition for her photography. 

Check out her website here for full details. 

I first met Press at the ACP Portfolio Review in Atlanta a couple of years ago, and knew instantly when I saw her work that she was, and of course continues to be, an exceptionally gifted photographer. 

Now, some very special accomplishments have come her way, well worthy of our notice. 

First, she is one of eight photographers to be featured in SHOTS Magazine's annual portfolio issue, with an extended display of her stunning B+W photographs made in Mississippi, go here

This is a truly remarkable achievement. I've been trying for literally years to get even one image in SHOTS, but to no avail. But now Press is in SHOTS with a major body of work. 

Second, Press was selected by Aline Smithson to be the curator for the feature on Mississippi for Lenscratch's States Project. 



Lenscratch's feature on Mississippi includes a body of work by Press (see image above), go here. 

 
Selected by Press for this project is Sumner, MS-based photographer Maude Schuyler Clay (see image above), whose portfolio in Lenscratch is here. 


Also selected by Press is work by Don Norris, another Hattiesburg, MS-based photographer, whose portfolio on Lenscratch is here

 
Also selected is work by University of Mississippi professor Alysia Burton Steele (see image above), whose portfolio on Lenscratch is here


Also selected is work by Oxford, MS-based photographer Jamie Erin Johnson (see image above), whose portfolio on Lenscratch is here


Also selected is work by Cleveland, MS-based photographer Will Jacks  (see image above), whose portfolio on Lenscratch is here.
 

Also selected is work by Chicago-based photographer Whitten Sabbatini (see image above), whose portfolio on Lenscratch is here.

Congratulations to all these outstanding photographers for such fine work, and to Press for choosing them to represent Mississippi.

Also congratulations to Press for her fine work, and for the very well-earned recognition she is receiving.  

She's having a great 2017, and its only February. Who knows what the rest of the year will bring?

Southern Photographers Recently Featured on AINT-BAD



AIN'T BAD Magazine started in the South, a creation of some enterprising folks who met at the Savannah College of Art and Design (SCAD).

Its now branched out to have a world-wide focus in its pursuit of being what the editors call An Independent Publisher of New Photographic Art.

Even so, Southern photographers still show up in AINT--BAD.

Here are some Southern photographers who have recently graced the AINT--BAD spaces  


Maryland-based photographer Harrison Albert (see image above), go here to his feature in AINT-BAD.



Greenville, NC-based photographer Jefferson Lankford (see image above), go here to his feature in  AINT-BAD.

 

Myrtle Beach, SC-based photographer Tracy Fish  (see image above), go here to her feature in AINT-BAD.


Atlanta-based photographer Constance Thalken (see image above), go here to her feature in AINT-BAD.


Columbus, GA-based photographer Rylan Steele (see image above), go here to her feature in AINT-BAD.


South Florida-based photographer Melanie Metz (see image above), go here to her feature in AINT-BAD.


Upstate NY photographer Shane Lavalette (see image above) is Not From Around Here, but he did a series in the South for the High Museum in Atlanta, which counts for the folks at AINT-BAD, go here.


Atlanta-based photographer Johnathon Kelso (see image above), go here to his feature in  AINT-BAD.


Sarasota, FL-based photographer Carson Gilliland (see image above), go here to his feature in AINT-BAD.


Rural Virginia-based photographer Alex Grabiec (see image above), go here to his feature in AINT-BAD.


Appalachia-based photographer Stacy Kranitz (see image above), go here to her feature in AINT-BAD.


Sarasota, FL-based photographer Christian Delfino (see image above), go here to his feature in AINT-BAD.

 

South Florida-based photographer Mamie Heldman (see image above), go here to her feature in AINT-BAD.


South Florida-based photographer Michaela O’Brien (see image above), go here to her feature in AINT-BAD.


Durham, NC-based photographer Dan Smith (see image above), go here to his feature in AINT-BAD.



Athens, GA-based photographer Miranda Maynard (see image above), go here for her feature on AINT-BAD


Columbia, SC-baased photographer Ashley Kauschinger (see image above), go here to her feature in AINT-BAD.



You might also want to check out Kauschinger's portfolio In Her Own Right, whch is a collection of photographs, text, and audio of women in art, including Southern photographers like Maude Schuyler Clay (see image above).



Athens, GA-based photographer Ella Ferguson (see image above), go here to her feature in AINT-BAD.


South Carolina native Eugene Ellenberg (see image above), go here to his feature in AINT-BAD.



Savannah-based photographer Shayna Colvin (see image above), go here to her feature in AINT-BAD.
-

Memphis-based photographer Ariella Gibson (see image above), go here to her feature in AINT-BAD.



Last summer, the folks at AINT-BAD when back to Savannah, and to their roots, to curate a show at the SCAD Museum of Art. 

The show was up from June 21st to August 14th, 2016.

Photographers in the show included the following, at least some of whom are Southern photographers. 

Anthony Gerace
Ashley Jones
Caleb Charland
Celine Clanet
David Welch
Ginx Hudgins
Hannah Cooper McCauley
Jack Addis
Jaclyn Wright
Jay Gould
Juliane Eirich
Louis Porter

Marcie Hancock
Margeaux Walter
Mark Dorf
Meg Griffiths
Michael Paniccia
Richard Barnes
Thomas Gardiner
Tommy Bruce
Tommy Kha
Walker Pickering
Zhang Xiao
Zora Murff


Thanks to all the folks at AINT-BAD for all they do for photography in general, and for Southern photography in particular!

Wednesday, February 8, 2017

Representing Appalachia at the Tracey Morgan Gallery



The section of the USA we call Appalachia has been the setting for lots of photography over the years. 

This work has itself proved controversial primarily because of the economic and cultural distance between Appalachia itself and the world in which most audiences for fine art photography happen to live. 

And, for that matter, the world in which most photographers of Appalachia happen to live when they are not on the road, photographing in Appalachia.  


Audiences have often found the work engaging, compelling, even motivating to political action. 

Or, they have labeled the work "poverty porn," and questioned the motivations that lead audiences to support photographers in making images of a world they usually depict as impoverished, its citizens poorly educated, inadequately housed, and, perhaps worst (or maybe best) of all, annoyingly eccentric in dress, looks, attitudes, and behavior. 

This has led photographer Stacy Kranitz, who has worked extensively in Appalachia, to seek in her work a remarkable level of personal engagement with her subjects and personal honesty about her motivation for her work. 


Kranitz' approach to photographing in Appalachia brings to her work a strong sense of collaboration with her subjects, and with their cultural and economic worlds.

Kranitz has now pulled together a group show of photographs made in Appalachia which seeks to explore the relationship between photographer and subject, between the culture of aesthetic representation and the culture that provides these artists with the material they use to make the images they have produced.

The show is called Representing Place: Photographs of Appalachia, and its up now through March 5th, 2017, at the Tracey Morgan Gallery, at 188 Coxe Avenue, in Asheville. 


Photographers whose work Kranitz has chosen for the show include Ken Abbott (see image directly below), Rob Amberg (see image above, top), William Christenberry, Walker Evans, Sarah Hoskins (see image third from the top), William Gedney, Megan G. King, Builder Levy, O. Winston Link, Susan Lipper (see image second from the top), Tammy Mercure (see image two images down), Pamela Pecchio (see image directly above), Mike Smith, Doris Ulmann and Bayard Wootten.


The work on view ranges from classic images by Walker Evans, Builder Levy, and O. Winston Link to work from the heyday of B+W documentary photography, to more recent work, in color and often much more openly self-questioning about what constitutes an appropriate subject for a photograph, or the appropriate time to make it. 

So we get in this show a kind of documentary history of photographing Appalachia -- how its been done, how photographers have gone about their work -- as well as a history of this photography's reception by that audience of which we are a part. 


In Kranitz' words, "The exhibition explores the complicated series of negotiations involved in representing place and how the photographer seeks to demystify stereotypes; sum up experience; interpret memory and history through a variety of photographic strategies."

This show is an important show, because of the work on offer, of course, but also because of the kinds of reflection it promotes about the nature of what photographers in the South do when they photograph, and, especially, of what relationship we document ourselves as having with our subjects and their cultural and physical setting when we make the work we make in the South.


Kranitz herself continues to be busy (see image directly above) with the work of photography.

You can glimpse the range of her work if you check out any of the editorial projects linked here:

In Bloomberg Businessweek - Can West Virginia's New Governor Save Coal Country
 

In Society - À L'école Obama
 

In the New York Times - A.T.V's Draw Tourists to Coal Country

And, you can catch up with her in person at the talks she's giving later this spring, here:

On Wednesday February 8th, 2017 at 6:30pm, she will be at Point Park University's Center for Media Innovation in Pittsburgh, PA for a lecture on her work in central Appalachia.
 

She'll also be speaking about how stereotypes and personal moral beliefs code the way we perceive and read images at the True/False Film Festival in Columbia, Missouri, on March 2nd-5th, 2017. 

All well worth checking out. Kranitz is bringing us important work, and raising questions that are important to raise as we continue the practice of fine art photography in the American South.